CANNIBAL CORPSE, BETWEEN THE BURIED AND ME, THE FACELESS, PERIPHERY, JOB FOR A COWBOY, GOATWHORE, EXHUMED, CEREBRAL BORE
Supporting Acts: Second Stage:, A Wanted Awakening, Art Of The Enemy, As Tyrants Fall, The Atlas Collaspse, Conforza, Destroy The Legacy, Dysentery, Formless, Pathogenic, The Summoned, Nemecide
Cannibal Corpse has smashed—nay, hammer smashed—every boundary set before them, defied every censor set upon them, and besmirched every country that would have them. After two decades of unending death metal torment, the band's calling cards are many: the depraved lyrics, the blinding technical prowess, the dominating stage presence, the legions of dedicated fans, the million and a half albums sold. From their bloody Caesarian inception in 1988 and debut splatterfest Eaten Back To Life (1990), Cannibal Corpse have mangled the minds and stereo systems of death metal youth from Buffalo to Sydney to Tokyo to Tampa while playing a crucial role in inspiring a new wave of musicians like The Black Dahlia Murder and Cattle Decapitation. In the far-flung death metal universe, the name Cannibal Corpse has achieved godfather status—not only for the band's morbid musical legacy but because of their commitment to the scene as a whole. "Part of the reason we may have ended up in a leadership position in the scene is because we've been consistent," bassist Alex Webster offers. "We've tried to stay 100% death metal in the kind of music we make, and we've always tried to take younger death metal bands on tour to help give back to the scene we've been so lucky with. So if we've become godfathers of death metal in any way, it's because we care about the scene, and we've been consistently caring about it for our entire career."
BETWEEN THE BURIED AND ME
The men of BETWEEN THE BURIED AND ME have once again charted an expedition into undiscovered country. Colors, BTBAM's fifth and newest release, is a continuous, sonic labyrinth of savage metal, lush prog-rock and uninhibited emotion. "It's the ultimate BETWEEN THE BURIED AND ME record," says vocalist Tommy Rogers. "It's definitely the most musical thing we have ever written. It goes through so many shifts and moods but still feels very organic and comfortable." "Comfortable" is exactly where BETWEEN THE BURIED AND ME should be right now. After countless tours, nearly 250,000 records sold, and recording four of the decade's most celebrated albums, BTBAM have every right to feel invigorated. BETWEEN THE BURIED AND ME began in 2000 when Tommy Rogers met Paul Waggoner and agreed to craft a style of hard rock that would defy categorization. Their impressive, self-titled debut was a widely heralded collection of stomping, progressive metal and hardcore filled with brutal breakdowns mixed with intricate musicianship and shifts in mood. The band signed with VICTORY RECORDS shortly after and followed suit with another pivotal release within the metal/hardcore underworld entitled The Silent Circus. This album was another chapter in the ever-evolving band and put them on the map of today's modern wave of forward-thinking American metal. After several line-up changes, the band finally found their footing with 2005's Alaska. New members Dan Briggs, Dustie Waring and Blake Richardson immediately clicked with Rogers and Waggoner and gave BTBAM the kind of foundation that would allow them to take their unique brand of rock to the masses. "Alaska was written together and it was really us, with the newer members, Blake, Dustie and Dan just finding our sound," explains Rogers of the new family members and their third full-length release. "After that record, we really felt that we found our niche." "I had just joined the band and they had the title track already written," says bassist Dan Briggs. "We didn't know each other and we all had new ideas in writing more for that record. We went on tour right after it was completed." The touring went non-stop and brought them face to face with the heavy metal summer camp known as Ozzfest. The Anatomy Of…, their fourth release, contained renditions of classics by Metallica, Queen, Depeche Mode and Faith No More and was released just as Ozzfest kicked off that summer. The response was phenomenal and helped open BTBAM up to an even wider audience, giving the world a closer idea of the broad creativity that resides in them. But it was hardly an indication of what was yet to come. The demanding summer and fall of 2006 was the catalyst for the band to begin work on what would become Colors. They felt inspired and enthused by the challenge ahead of them. "This is the best that the band has been since day one," says vocalist Tommy Rogers. "We wanted a much more epic feel to the record and make it clear that this would be a complete album, not just a collection of songs," Rogers explains. "You have to listen to this all the way through to really get it. Today, music is all about singles and videos and the other songs are just filler. We really did something that we are all very proud of and feel this is opening a whole new chapter for us" Colors is not just an ambitious piece of music, it is a monolithic step forward in the advancement of hard rock. This record affirms that the music of BETWEEN THE BURIED AND ME is as emotionally engaging and beautiful as it is brutally empowering and complex. So it seems only fitting that such a groundbreaking studio album would be just as good, if not better, live. In October of 2008, Colors Live was released to the public. The two disc CD/DVD set offers live footage of a performance in Nashville, as well as special features.
Line up: Jeff Ventimiglia - vocals Michael Keene - guitar Steve Jones - guitar Brandon Giffin - bass Brett Batdorf - drums Michael Sherer - keyboards The Faceless are a technical metal band from the Los Angeles area who have formed to astonish their live audiences with dizzying guitar work, lightning fast drumming and unmatched brutality. Formed by guitarist Michael Keene and bassist Brandon Giffin, the band quickly found the perfect mix of dedicated musicians to complete the line up. Drummer Brett Batdorf having played a brief stint with Himsa and long time drummer of the acclaimed Los Angeles death metal band Tchildres complimented the group perfectly and was added to the line up soon after. The combination of blistering guitar work, complex and fast-paced rhythms, offset by haunting keyboards and brutal vocals from singer Jeff Ventimiglia set The Faceless in a class with the metal legends who have come before to change metal forever. The Faceless have developed a large following from their dead accurate live performance and the online success of 3 songs recorded and produced by guitarist Michael Keene. The band has already become a buzz in the metal scene drawing up to 300 kids at local shows. The Faceless is quickly rising to the top in a sea of mediocrity to claim their place in metal virtuosity. In the past year The Faceless have been lucky enough to share the stage with such talented acts as: Cephalic Carnage, Vital Remains, Impaled, Through the Eyes of the Dead, Animosity, Ed Gein, The Number 12 Looks Like You, Into The Moat, Reflux, On Broken Wings, From A Second Story Window, Ion Dissonance, Crematorium, Phobia, Light This City, Neuraxis, Job For A Cowboy, Intronaut, Anal blast, All Shall Perish, Winter Solstice, Radiation 4, The Red Death, Embrace The End, Psyopus, Deadsoil, Glass Casket, and many others.
JOB FOR A COWBOY
Unleashing a relentless fusion of hardcore and death metal with the precision guitar attack of progressive metal, Job for a Cowboy was formed in Glendale, AZ, in 2002. The group was founded by vocalist Jonny Davy, guitarists Ravi Bhadriraju and Andrew Arcurio, bassist Chad Staples, and drummer Andy Rysdam, and the band cut their first demo CD in 2004. In 2005, the band recorded a six-song EP, Doom, that attracted the attention of Arizona independent label King of the Monsters, who distributed the disc after an initial self-released pressing by the band. Doom earned a potent buzz in metal circles, enhanced by extensive touring, and Metal Blade Records signed the band in 2006, reissuing Doom with a bonus track. Recorded between road trips with producer Andy Sneap at the controls, the group's first album, Genesis, was released in May 2007 by Metal Blade, with lots more touring to follow. Mark Deming, All Music Guide
Goatwhore is a black/death metal band from the swamps of New Orleans, LA. They were formed by well known musicians from the Louisiana metal scene. They first came together in 1996/97 when Sammy Duet (former Acid Bath/Crowbar guitarist) and Zak Nolan (former drummer of Goatwhore, now replaced by Zack Simmons) jammed together as a little sideproject when Acid Bath was taking a break. They soon made some four track demos. When Acid Bath fell apart in 1997 (due to the loss of bassist Audie Pitre) they dedicated more time to Goatwhore (formerly known as Kilgore). They quickly turned into a 4 piece with the addition of Ben Falgoust and Pat Bruders. In 2004 Goatwhore was offered a deal by Metal Blade Records, who they are signed with now… "We are timeless … within damnation" With its 2000 debut, The Eclipse of the Ages Into Black, Louisiana miscreants Goatwhore explored old school satanic black metal as no American act had before. The band's flame-throwing ferocity and blasphemous conviction hailed such pioneers as Bathory and Venom and offered respite to purists grown weary of the fanciful, over-orchestrated musings of Europe's contemporary black metallurgists. Goatwhore's new second effort, Funeral Dirge for the Rotting Sun, ventures into darker, less conventional territory. Probing the pitch-black recesses of mind and soul in a disturbing, introspective examination of dark forces at work, and unleashing it all with a feral hookiness and atmospheric flare, the band steps beyond the bounds of mere black metal into a realm all its own. While the band's raw, vicious tone remains - and Falgoust and Duet's high-end, low-end vocal tradeoffs ensure plenty of menace - there's more order to the chaos on Funeral Dirge. The unrelenting tempos and buzz-sawing guitar that fueled Ages have been refined to provide "Vengeance of Demonic Fury" or "Baptized In A Storm Of Swords" with more structure, depth and texture. Goatwhore takes a rather drastic turn on "As The Sun Turns To Ash" and "Fires of the Judas Blood." With their dramatically slower pace and eerie vocal/guitar interplay, they echo Celtic Frost's ground-breaking Into The Pandemonium and lend an even more ominous air to the album. After releasing Funeral Dirge for the Rotting Sun in 2003, the band jumped to Metal Blade for 2006's A Haunting Curse, which took on a much clearer blackened death metal style. 2009 saw Goatwhore's latest release, Carving Out The Eyes Of God.
San Francisco's Exhumed plays gore-obsessed death metal with a tongue-in-cheek flair and an overall musical approach that are often reminiscent of Carcass, a band whom they have frequently acknowledged as a primary influence. They have endured constant lineup changes to become, if not a highly original act, at least one of the better representatives of their doomed-to-obscurity subgenre. The band formed in 1991 with a lineup consisting of Matt Harvey (guitar, vocals), Col Jones (drums), Derrel Houdashelt (guitar), Jake Giardina (vocals), and Ben Marrs (bass). They made their first recordings under this formation, including the Excreting Innards 7" for Afterworld Records. Giardina and Marrs left the band within the next few years, with Matt Widener (bass) and Ross Sewage (vocals) brought in as replacements. After recording the Horrific Expulsion of Gore demo (1994), Widener left and Sewage took over bass duties. This lineup eventually recorded a split CD with the Ohio band Hemdale, In the Name of Gore, which came out on Visceral Productions in 1995 and featured an absolutely revolting album cover. Soon after, Houldashelt left and was eventually replaced by Mike Beams. With this lineup intact, they signed to Relapse Records and finally released their first official full-length, Gore Metal, in 1998, with guitarist James Murphy (Death, Obituary) at the production helm. Sewage left the band shortly after this record, leaving the trio of Harvey, Beams, and Jones to record the follow-up, Slaughtercult. The album was released on Relapse in 2000 and was enthusiastically received among the death metal scene
The bands versatile fan base has allowed them to share the stage with everyone from As I lay dying and Dillinger Escape Plan to Origin and The Acacia Strain to Haste the Day and The Red Chord.
With the oldest member still in high school, Job for a Cowboy is striving to remaining loyal to their D.I.Y. roots, the band has decided to spend the next year touring in promotion of their EP on their own.
Cannibal Corpse: Formed in 1988, Buffalo born/Tampa raised Cannibal Corpse helped found, manipulate and transcend the very boundaries of death metal beginning with the scandalously controversial debut, Eaten Back To Life. Raising the eyebrows of inquisitive metalheads and incensed parents and politicians, the record — produced by Scott Burns at the now renowned Morrisound Studios — was more extreme and confrontational than anything the metal genre had ever known. As a result of the band’s brilliantly gruesome cover art, grisly lyrics and song titles like “Hammer Smashed Face,” “Meat Hook Sodomy” and “Addicted To Vaginal Skin,” follow-up records Butchered At Birth (1991) and Tomb Of The Mutilated (1992) were met with further contempt by the likes of such organized censorship leagues as the PMRC. In just three years, the sale of Cannibal Corpse merchandise was (temporarily) prohibited in Australia, Korea and New Zealand (in fact, the sale of Butchered At Birth and the performance of those three records is still forbidden in Germany). But dissuaded they were not.
Proving technical dexterity, diabolic vocal grunts and a penchant for serial killers, zombies and gore of all shapes, sizes and textures, Cannibal Corpse won over the hearts of many a metal extremist and have since become a harrowing household name. Since the bands inception they have sold millions of albums world wide and show no sign of slowing or bowing down to the ever changing metal genre. Massive tours throughout the U.S. and Europe as well as Australia and South America only underscored the band’s staying power…and all this with zero commercial radio presence and minimal video play (although the band did appear in the Hollywood blockbuster, Ace Ventura – Pet Detective).
The Faceless: Michael Keene - Guitar, vocals Steve Jones - Guitar Derek Rydquist-Vocals Brandon Giffin - Bass Michael Sherer - Keyboards Nick Pierce - Drums
The Summoned: Known for their intensity in both their music and live shows Boston based experimental death metal band The Summoned is being considered as fore-runners in the New England metal scene. They've been referred to such bands as Between The Buried and Me, The Faceless and Black Dahlia Murder but that doesn't stop them from experimenting with their sound but maintaining the intensity they're most known for. With Steve Thompson on Vocals, Tony Paterno and Shaun Murphy on Guitars, Joe Zahareais on Bass, and Sam Hang on Drums The Summoned believes they've collectively brought out all their seperate influences to create their own vision of experimental death metal.
In a span of two years The Summoned has completed two east coast tours, played shows in fifteen states and has had the honor of opening for national acts such as Overkill, Vader, God Dethroned, The Faceless, Dying Fetus, Beneath The Massacre, Ion Dissonance, Arsonists Get All The Girls, Within The Ruins, Through The Eyes of the Dead, Carnifex, Suffokate, Blindwitness, The Demonstration & Killwhitneydead.
The release of their 2009 demo recorded in May over a period of three days with Berkley School of Music student Fred Sladkey, The Summoned believes this is their best work to date. With two east cost tours, an EP release, a demo release, endorsements, opening for national acts as well as radio air play under their belt The Summoned has proven that their hard work with song writing and live shows strikes a nerve. Praised by their peers and highly acclaimed responses from fans The Summoned has no intentions of slowing down but picking up the pace to maintain their status of fore-runners in the New England metal scene.
Goatwhore: Goatwhore guitarist Sammy Duet (formerly of Acid Bath and Crowbar) is fucking stoked…not only because his cats have apparently developed fine tastes in brutalic black metal ("My cats freak out when I play Fog, Through The Eyes Of Night! They'll sit in front of the goddamn speakers and chill out!"), but because the notorious six-stringer has quite triumphantly survived another Goatwhore outing. Fittingly titled A Haunting Curse - an idea Duet's been toying with since the band recorded 2003's Funeral Dirge For The Rotting Sun at the allegedly haunted Noise Lab Studios, in addition to over two years of various band trials and tribulations - the disc serves as the band's third installment of their signature brand of blackened pummel, coming at you for the first time via the legendary Metal Blade Records.
But for Goatwhore, no studio effort comes without its share of catastrophes. Where Funeral Dirge followed a near-fatal van crash that left Goatwhore/Soilent Green frontman Ben Falgoust temporarily confined to a wheelchair and the very future of the band uncertain, the creation of A Haunting Curse saw the New Orleans four-piece - Duet, Falgoust, drummer Zack Simmons and bassist Nathan Bergeron - fleeing the flood waters of 2005's harrowing Hurricane Katrina. If there is indeed a God, she's certainly no fan of the 'Whore. But the say what doesn't kill you makes you stronger. In the case of Goatwhore, they're stronger, harder, meaner and pissed the fuck off. Goatwhore are back with a magnified vengeance! But perhaps we should rewind a bit...